Lessons ? Practise ? Why bother?

“Why bother with lessons and practise? I cast well enough to catch fish nearly every time I go out ?”. This was my response some 15 years ago, when a fishing mate suggested we share a lesson.  Proud of my skills back then,  I couldn’t see the sense in standing in a park making the same cast after cast, endlessly, monotonously.  Especially when I spent most of my time fishing streams and rivers.  My older wiser self, would now side with my mate on this one, and has a few answers to that question.  However I am not sure my younger self would have listened or understood.

I have no idea what his response was, but I remember being sceptical, and it was probably only the promise to go fishing afterwards that finally convinced me to join him.  I remember it was a very windy day, the coach was an experienced angler and had me working on getting rid of the tailing loops that annoyingly and reliably appeared every time I strived for distance. I still remember his sage advice (and his Sage advice), “try not to grip and rip, try to feel the cast”.  When I asked him how , he suggested I try a rod with a more forgiving action.  I tried his Sage SLT 5 weight, I loved it.  It did help, but I still didn’t understand how to develop feel. Also, whilst I am certain this was not his intention,  I took this to mean a new rod would make me cast better. It didn’t.  (Good rod though, glad I bought it, glad I still have it !). Sadly (for me), I didn’t pursue any more lessons with him or anyone else, and forgot about it for a while, enjoying myself nonetheless.

Why I finally took lessons

Five years on, and I was living in London,  trying to learn Italian, and on advice from my language teacher, I took to reading websites in Italian, on something that interested me (fly fishing unsurprisingly).  In this way, one spring day, whilst on vacation,  I found myself fishing on one of the rivers in Umbria in central Italy with some guys from the SIM Italian fishing association.  The river was fast and clear, and I had some great success fishing weighted nymphs.  One of my hosts suggested I try casting a dry near the far bank, where he claimed there were some big ones hiding under the overhanging shrubs.  I probably put at least 50 or more casts over there, landing the dry in the current seam, only to have it whipped away by the current.  At this point I declared, that :

  1. Clearly there were no fish there, and
  2. Even if they were there it was impossible to fish the spot, the drag was horrendous.

My host, didn’t seem fazed and made a leisurely cast across the current, his fly landed, and sat… and sat…. for at least a count of 3, before a sizeable hole opened up beneath it.  A relaxed lift of the rod, and the hook was set into the biggest fish I’d seen all day.  He did it twice more to prove it wasn’t a fluke.  He presented that dry-fly with studied precision, and injected just enough slack in the leader to let it hang enticingly in the still water. I begged him to tell me how he did it. Easy , he said, come to a course, and you can learn. Here was an art, and an art worth my learning (sorry for misquoting Mr Walton). I now had an  answer to that question of a few years before. Why take some lessons: to learn some skills to catch fish, good fish, that I otherwise couldn’t !

It was through the Italian SIM association I learned there was a whole lot more to fly-casting and fly fishing than laying a line out straight and accurately. Their approach to fly-casting is all about casts that catch fish, controlling the line, leader and fly to present the fly, in and around and under obstacles, combatting swirling currents to maximise the natural drift. Over the next few years I attended 6 or so courses, improving bit by bit, discovering the joy of playing around with rod and line.  Even more so on the river, where there is a lot of satisfaction to be had making a difficult cast, even better if a fish cooperates.  Another answer to my question : Have more fun!

How to Practise

None of this came without practising between the courses.  Not just any practice either, what is needed is focused practice. For example, when I was on a golfing crusade to earn a single figure handicap. I used to hit a bucket of balls at the driving range twice a week thinking this would really help, until a conversation with my golf-pro. He asked me how I practised, “I take my driver twice a week at the range” I said. “Hmm” he replied, “you drive quite well, but what about the rest of your game? Chips, putts ? fades ? draws ? High shots low shots ? Practise the shots you use most on the course. Spend half your time on your short game, half the rest on the short irons, and then rest on long irons and woods.” Good advice , practice the skills you need!

I advocate applying this approach to fly-casting. In the off-season I practise at least once a week for an hour or two at a time.  I make a rough plan for each session , I go with the intention of working on a four or five skills in particular. I break up my practice time and spend no more than 10 – 15 minutes on each skill.

Don’t be afraid to take a few lessons.  If you are in Melbourne we have casting lessons available. Click here.

Try it for yourself: you may catch more fish and may have more fun doing so!

Practise Drills for Fly Casting:

Loops and line control:

  1. Loop control : Try making false casts with consistent smooth loops. 3 or 4 casts then rest. Try doing this at different distances.
  2. Loop size: Practice casting tight loops, medium-sized loops, wide loops.
  3. Rod plane: try casting on various rod planes. from vertical, to horizontal and angles between. Concentrate on timing and making clean smooth loops.
  4. Double hauling.

Presentation Casts:

If you have learned how to do these, practice and perfect them, if not consider hitting me up for a lesson or three:

  1. Curved casts
  2. Wiggle casts
  3. Bucket Casts
  4. Aerial Mends

Accuracy:

  1. Simple accuracy I take a few hoops or targets with me, and set them up at various typical fishing distances, and practice a few casts at each , then try the next one, trying always to judge the distance by eye. I move around so the distance is never the same.  On the river you don’t know the distance in advance!
  2. Altering the plane: e.g. Side casting to a target, simulating casting low under overhanging foliage , yet still hitting the target.
  3. Presentation cast accuracy (curve, bucket, wiggle) : Using a hoop, I imagine that I need to make a presentation cast to some slack water, the loop is the target.
  4. Reverse cast (over your other shoulder)
  5. Other hand if you know how

 

On Water:

If you have suitable water nearby, try practising:

  1. Roll casts (and single-handed spey techniques )
  2. Mending
  3. Different presentations ( fly first, gentle)
  4. Different retrieve patterns (etc.)

Here are a couple of videos from my practice sessions

How to Cast in Fly Fishing

Fishing flies generally don’t weigh much, usually they aren’t much more than a piece of fluff, so how can we cast this far enough and accurately enough to catch a fish ? Casting in fly fishing can seem a lot harder than it looks. But if you can understand the basic dynamics of what makes a good cast and how to spot a bad one, you are well on your way to learning this art.

Fly Casting

The aim of fly-casting is to cast a very light weight fly far enough and accurately enough to catch a fish. If you would like to learn about this fine art, read on and then why not book a lesson or two, or join us on one of introductory courses.

How does it work?

In regular fishing, you rely on the lure or sinker having some weight to enable you to cast far enough, and the more weight there is the further you can cast. In fly-casting, however, we have a virtually weightless fly and no sinker to cast with. So how do fly fishers cast so far?

Casting is achieved because of the special Fly Line that is used. In fly fishing we tie the fly to some thin nylon (leader), which in turn is tied to a special thick fly fishing line (Fly Line). The Fly Line actually has enough weight of its own to help us cast. The weight of the fly line is distributed along its length, and the more fly line we have out the more weight we have to work with, however there is some skill and timing required to cast it successfully. If the line is stretched in a straight line, it is easy to cast, but if the line is not fully straight, it is very difficult. More on this important topic later.

How far do you need to cast?

Current world record for fly-casting your typical stream rod is now around 40m (130ft) or more. Most anglers cannot consistently cast further than about 20m, yet they have no trouble catching fish. More than 95% of trout are caught within 10m, and in small streams even closer. So all this should be good news to the new fly angler; an accurate cast within 5 metres is all that is required on a stream, and on a lake 10 -15m is more than enough.

Getting started

We start with the line laid out in front of us in a nice straight line, holding the line in our other hand, or trapping it against the rod with our finger. We use the rod to pull the line and speed it up, and then when we have the line moving at maximum speed, we need to stop the rod in a short space.  When the rod slows and stops, the line keeps going, passes the rod tip, and forms a loop. This loop keeps travelling and straightens out behind us. When the line has straightened out (and before it falls to the ground), we reverse the process and pull the line in the other direction, speeding it up, then stop the rod to make the line go forward.

The loop is the shape the line makes as it moves through the air. As the curved front of the loop moves through the air, it leaves behind line attached to the rod (rod leg) and pulls the line attached to the fly (fly leg) through the air. As the loop unrolls, the rod leg gets longer and fly leg gets shorter, until the line straightens out completely. This is when we need to cast the line in the opposite direction. We can make many different shaped loops, however some loops are more effective than others are.

This casting forwards and backwards in the air is called false casting. False casting is used to lengthen how much line we have in the air, in preparation for the presentation cast. To false cast, we must have enough speed in the loop, so that we can let some loose line slip through our fingers and shoot out as the loop is travelling away from us.

The presentation cast is the final cast where we place the fly on the water. For the basic presentation cast we let the line straighten out above the water, and then land gently. This means that we do not disturb the water too much or scare the fish.

Basic casting Dynamics.

We use the rod to move the line, and we need to get it moving fast enough so it will carry the fly to our target. There are two main ways we can use the rod to move the line: like a giant lever (rotation) using our wrist or elbow, or moving it back and forth without rotation(translation).

Rotation: This is the natural way most people start to cast by using the wrist or elbow.  In doing so the rod rotates through an angle and the length of the rod multiples the movement of our hand. So much so that the rod tip (and hence the line) can be moved ten times faster than by our hand alone. This is the easiest way to speed up the line, except the rod tip will follow a convex curve (see diagram), which in turn creates wide-open inefficient loops, sometimes they are so wide that they are not really loops.

Bigloop

Translation: If we cast by moving our hand back and forth in a straight line, without flexing our wrist or elbow and rotating the rod (this is quite an unnatural movement), we can move the line only as fast as we can move our hands. This moves the rod tip in a straight line, and helps create narrower loops; however, it is requires a lot of effort to obtain enough speed for any respectable distance.

To make a great cast, you need to combine both movements.  If you look at videos (try YouTube) of great casters, you will see they use both rotation and translation in their casting stroke.  However, the amount and timing of each may vary between casters according to their unique style. You will also see that the wrist flex is generally kept to a minimum and the rotation occurs late in the stroke. If you watch in slow motion, you will see that their hands generally move in a straight line and manage to keep the rod tip moving in a straight line. This is helped in part by the fact a rod bends as force is applied to it, and unbends at the end of the rotation near the end of the stroke.

Loop shapes and casting efficiency

Our aim is to make smooth efficient loops that do not tangle. A good loop has smooth straight rod and fly legs parallel to each other. By keeping the legs of the loop parallel, we prevent tangles and knots forming in the leader. Knots (wind knots) in the leader are not caused by wind, but are caused by tailing loops. A tailing loop occurs when the loop legs cross over, which usually creates a knot in the leader.

tailingloop

We refer to the distance between the fly legs as the width of the loop. If the rod legs are close together, we call this a narrow loop and far apart, we call it a wide loop.

An efficient loop will be relatively narrow, with both the rod and fly legs smooth, straight and parallel to each other.

Narrowloop

Why is a narrow loop more efficient? Imagine you have a ping-pong ball and a small stone that weigh exactly the same. Which one can you throw further? The stone of course, but why?.

Air resistance: the stone will go further because it has much less air resistance than a ping pong ball. The air resistance will slow the ping-pong ball more than the stone; as the ping-pong ball moves forward it needs to push more air out of the way than the stone, so slows down much more quickly. It is the same with loops. A narrow loop has to push less air out of the way than a wide loop, so is more efficient.

How to cast efficient loops?

Some simple principles govern casting and making smooth straight narrow loops.
1. Smooth acceleration of the rod tip will keep the loops smooth.
2. For straight loops, we need to accelerate the line in a straight line. The rod tip pulls the line to speed it up, and the line will follow in the direction that the rod tip pulls. If the rod tip travels in a straight line, the line will travel in a straight line.
3. To form the loop, there needs to be a defined deceleration, a defined stop of the rod at the end of each stroke will achieve this.
4. Keep the line under tension and wait until the line is straight. The line needs to be straight and tight before a cast in the other direction is made. This means waiting for the loop to unroll and straighten between each false cast. The longer the line you are casting, the longer you must wait.

Common mistakes to avoid:

1. Too much rotation at wrist or elbow: leading to big wide loops and non-loops. Catching the ground behind or in front. (Rod tip following a concave curve)
2. Waving the rod. No acceleration or deceleration, just moving the rod at the same speed. Leads to lack of distance and open loops.
3. Too much force for a short stroke. If you try to use too much force, or hurry up a rod over a too-short stroke, the rod will bend too much and the rod tip will dip too much in the middle of the stroke leading to a concave rod tip path (see tailing loop diagram above). This always results in a tailing loop and knots in the leader.  This usually happens when we try to go for a bit more distance, especially on the presentation cast,
4. Weak back cast. If the back cast is weak, the line will not straighten out behind, leading to a loss of tension, and an ineffective forward cast.  This is because a lot of the forward cast is used to straighten out the line behind, and there is no weight to pull on.

If you would like to learn this fine art, why not book a lesson or two, or join us on one of Introductory Courses.

Lessons ? Practise ? Why bother?

“Why bother with lessons and practise? I cast well enough to catch fish nearly every time I go out ?”. This was my response some 15 years ago, when a fishing mate suggested we share a lesson.  Proud of my skills back then,  I couldn’t see the sense in standing in a park making the same cast after cast, endlessly, monotonously.  Especially when I spent most of my time fishing streams and rivers.  My older wiser self, would now side with my mate on this one, and has a few answers to that question.  However I am not sure my younger self would have listened or understood.

I have no idea what his response was, but I remember being sceptical, and it was probably only the promise to go fishing afterwards that finally convinced me to join him.  I remember it was a very windy day, the coach was an experienced angler and had me working on getting rid of the tailing loops that annoyingly and reliably appeared every time I strived for distance. I still remember his sage advice (and his Sage advice), “try not to grip and rip, try to feel the cast”.  When I asked him how , he suggested I try a rod with a more forgiving action.  I tried his Sage SLT 5 weight, I loved it.  It did help, but I still didn’t understand how to develop feel. Also, whilst I am certain this was not his intention,  I took this to mean a new rod would make me cast better. It didn’t.  (Good rod though, glad I bought it, glad I still have it !). Sadly (for me), I didn’t pursue any more lessons with him or anyone else, and forgot about it for a while, enjoying myself nonetheless.

Why I finally took lessons

Five years on, and I was living in London,  trying to learn Italian, and on advice from my language teacher, I took to reading websites in Italian, on something that interested me (fly fishing unsurprisingly).  In this way, one spring day, whilst on vacation,  I found myself fishing on one of the rivers in Umbria in central Italy with some guys from the SIM Italian fishing association.  The river was fast and clear, and I had some great success fishing weighted nymphs.  One of my hosts suggested I try casting a dry near the far bank, where he claimed there were some big ones hiding under the overhanging shrubs.  I probably put at least 50 or more casts over there, landing the dry in the current seam, only to have it whipped away by the current.  At this point I declared, that :

  1. Clearly there were no fish there, and
  2. Even if they were there it was impossible to fish the spot, the drag was horrendous.

My host, didn’t seem fazed and made a leisurely cast across the current, his fly landed, and sat… and sat…. for at least a count of 3, before a sizeable hole opened up beneath it.  A relaxed lift of the rod, and the hook was set into the biggest fish I’d seen all day.  He did it twice more to prove it wasn’t a fluke.  He presented that dry-fly with studied precision, and injected just enough slack in the leader to let it hang enticingly in the still water. I begged him to tell me how he did it. Easy , he said, come to a course, and you can learn. Here was an art, and an art worth my learning (sorry for misquoting Mr Walton). I now had an  answer to that question of a few years before. Why take some lessons: to learn some skills to catch fish, good fish, that I otherwise couldn’t !

It was through the Italian SIM association I learned there was a whole lot more to fly-casting and fly fishing than laying a line out straight and accurately. Their approach to fly-casting is all about casts that catch fish, controlling the line, leader and fly to present the fly, in and around and under obstacles, combatting swirling currents to maximise the natural drift. Over the next few years I attended 6 or so courses, improving bit by bit, discovering the joy of playing around with rod and line.  Even more so on the river, where there is a lot of satisfaction to be had making a difficult cast, even better if a fish cooperates.  Another answer to my question : Have more fun!

How to Practise

None of this came without practising between the courses.  Not just any practice either, what is needed is focused practice. For example, when I was on a golfing crusade to earn a single figure handicap. I used to hit a bucket of balls at the driving range twice a week thinking this would really help, until a conversation with my golf-pro. He asked me how I practised, “I take my driver twice a week at the range” I said. “Hmm” he replied, “you drive quite well, but what about the rest of your game? Chips, putts ? fades ? draws ? High shots low shots ? Practise the shots you use most on the course. Spend half your time on your short game, half the rest on the short irons, and then rest on long irons and woods.” Good advice , practice the skills you need!

I advocate applying this approach to fly-casting. In the off-season I practise at least once a week for an hour or two at a time.  I make a rough plan for each session , I go with the intention of working on a four or five skills in particular. I break up my practice time and spend no more than 10 – 15 minutes on each skill.

Don’t be afraid to take a few lessons.  If you are in Melbourne we have casting lessons available. Click here.

Try it for yourself: you may catch more fish and may have more fun doing so!

Practise Drills for Fly Casting:

Loops and line control:

  1. Loop control : Try making false casts with consistent smooth loops. 3 or 4 casts then rest. Try doing this at different distances.
  2. Loop size: Practice casting tight loops, medium-sized loops, wide loops.
  3. Rod plane: try casting on various rod planes. from vertical, to horizontal and angles between. Concentrate on timing and making clean smooth loops.
  4. Double hauling.

Presentation Casts:

If you have learned how to do these, practice and perfect them, if not consider hitting me up for a lesson or three:

  1. Curved casts
  2. Wiggle casts
  3. Bucket Casts
  4. Aerial Mends

Accuracy:

  1. Simple accuracy I take a few hoops or targets with me, and set them up at various typical fishing distances, and practice a few casts at each , then try the next one, trying always to judge the distance by eye. I move around so the distance is never the same.  On the river you don’t know the distance in advance!
  2. Altering the plane: e.g. Side casting to a target, simulating casting low under overhanging foliage , yet still hitting the target.
  3. Presentation cast accuracy (curve, bucket, wiggle) : Using a hoop, I imagine that I need to make a presentation cast to some slack water, the loop is the target.
  4. Reverse cast (over your other shoulder)
  5. Other hand if you know how

 

On Water:

If you have suitable water nearby, try practising:

  1. Roll casts (and single-handed spey techniques )
  2. Mending
  3. Different presentations ( fly first, gentle)
  4. Different retrieve patterns (etc.)

Here are a couple of videos from my practice sessions